Ella Fitzgerald Full Discography Torrent
Ella Fitzgerald Full Discography Torrent. July 1, 2017. Share on Facebook. Share on Twitter. Programmu dlya proshivki zte s300 s325 windows 7. Please reload. This site was designed with the.com website builder. Explore releases and tracks from Ella Fitzgerald at Discogs. Shop for Vinyl, CDs and more from Ella Fitzgerald at the Discogs Marketplace.
This eight-disc collection, spanning 187 tracks and a dozen years (stretching wider than the title suggests), can be appreciated on several levels. First, there is drummer and bandleader Chick Webb, a remarkable figure who, the result of spinal tuberculosis, stood under 5 feet and hunchbacked but produced a giant sound. Twenty-five of the tracks included here are non-Fitzgerald sides, some from as early as 1929. Together they demonstrate that Webb fronted one of the era’s hottest outfits, vastly underappreciated but as worthy as Goodman’s or Dorsey’s.
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Then there’s the delight of listening to Ella blossom as a vocalist. She was just 17 when Webb plucked her from the Harlem streets, and sounds green as a sapling on the earliest of their shared sides.
As the years progress her confidence grows steadily, and early buds of what would become one of the most distinctive voices in jazz take shape. Yes, there were hits, most notably “A-Tisket, A-Tasket” and “(If You Can’t Sing It) You’ll Have to Swing It” (a.k.a. Paganini”), but her progression from diamond-in-the-rough to not-fully-polished gem is far more captivating. And there is Ella’s emergence as a bandleader after Webb’s death in 1939. Though the orchestra became insipidly sweet under her leadership, it’s a testament to her moxie that, at age 22, she was able to take command and was wise enough to know that her vocals needed to become the star attraction. Finally, as expected from Mosaic, there’s the product’s unstinting quality: insightful notes by John McDonough, a detailed discography and, most important, superlative sound. Almost all of this material has been previously released on CD, but never so comprehensively or with such TLC.
If you're familiar with, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Ella Fitzgerald and Louis Armstrong The Complete Ella Fitzgerald and Louis Armstrong Studio Recorded Duets 2011 Was there ever a match made in heaven like singer and singer/trumpeter? When had them together on the Verve label, the impulse to put them together in the studio had to be irresistible. And it was a terrific move, resulting in three terrific albums: Ella and Louis, Ella and Louis Again and Porgy and Bess.
Their work together is a highlight of the 1950s, a busy time for classic vocal jazz records, and both were in fine form on these dates, Fitzgerald's sweetly melodic voice contrasting nicely with Armstrong's coarse rasp. And both were also riding the crest of popular success, Fitzgerald peeling off terrific record after terrific record while Armstrong was an elder statesman who, if not quite as popular as he was a few decades ago, had become one of the world's most beloved entertainers. This two-CD compilation collects all of the studio duets the pair recorded, and therefore some of the original releases aren't represented in their entirety. The first eight tracks were recorded for Decca with large orchestras in the late 1940s and early 1950s and give a promise of greater things; the singing is fine, the material isn't.